Black Rabbit Kaleidoscope

Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. The viscosity of the paint may be modified by the addition of a solvent such as turpentine or white spirit, and varnish may be added to increase the glossiness of the dried film. Oil paints have been used in Europe since the 12th century for simple decoration, but were not widely adopted as an artistic medium until the early 15th century. Common modern applications of oil paint are in finishing and protection of wood in buildings and exposed metal structures such as ships and bridges. Its hard-wearing properties and luminous colors make it desirable for both interior and exterior use on wood and metal. Due to its slow-drying properties, it has recently been used in paint-on-glass animation. Thickness of coat has considerable bearing on time required for drying: thin coats of oil paint dry relatively quickly. Hours: Wed - Sun: 11 AM - 6 PM Mon & Tues: Closed Camilla d’Errico is an Italo-Canadian artist who has been making waves in the fine art and comic industries with her manga-influenced style. Despite having amassed a wide artistic background in animation, fine arts, illustration and graphic design her passion has always been in comics, notably manga. Camilla resides in Vancouver, BC, where she continues her work in comics, creating her acclaimed original series – Tanpopo – based on literature. Ever the prolific artist, Camilla lives the double life of comic artist/creator and Pop Surrealist painter. Her ability to seamlessly weave comic art and manga with surrealist elements has allowed her to attain great renown in her main fields, while expanding her horizons to include fashion, merchandise and collectible designer art toys. Who or what is INLE? In 1974, Richard Adam's wrote the beloved classic "Watership Down". It is a tale about overcoming the obstacles of life that try to beat you into submission and coming out on top, told through the unlikely embodiment of rabbits. Upon reading the book at a young age, one particular thread stood out to me. The story of "The Black Rabbit of Inle". It was on page 280 of this book that my Grandfather had gotten for me on a road trip that the story of Inle´ unfolds. The fear he induced in the rabbits who told tales of him is not much unlike our own fears of death and what is unknown. I always questioned was their fear based upon him or the inevitability of their own demise, and was it something to fear or welcome after a long life lived? With this book began my over 24 year obsession with using rabbits as a tool in my art. Upon relating my memories of this book with some artist friends of mine, I wasn't surprised to find they had similar attachments to the story and subsequent movie and that it too was a huge influence on