Candy Roots Girl

A Munny is a figure created by Kidrobot and made out of vinyl with movable joints. The initial idea was undertaken by taggers/ street artists/ street art designs and toys from (illegal artists) who have come to bring back their work legally to the public to display their works. The figures are blank and the owner can decorate them using pens, pencils, markers, paint, and other supplies. Alternatively, some people commission artists to design Munnys for them, or artists design them to sell. In MUNNYWORLD, you can do anything you want! MUNNY, BUB, TRIKKY, RAFFY, and ROOZ are the soft, super smooth vinyl figures that make up MUNNYWORLD. Each one is a blank canvas, and all ready for scribbling, piercing, painting, posing, piling, dressing up, and sculpting into forms straight from your imagination or you can keep them just as they are. See how great you truly are. Do amazing things and create more than ever before. And, most importantly, have fun with MUNNYWORLD Founded In 1991, originally as Copro/Nason Fine Arts began as an entity to curate art exhibitions at museums and local galleries and publish lithograph & silk-screen prints. The first contemporary cutting edge artists that Copro/Nason worked with were Mark Ryden, Robert Williams, Big Daddy Roth, Shag, Pizz, Von Dutch, Coop and many others. In 1999 Copro/Nason Gallery was opened In Culver City and soon transcended the limits of Lowbrow. By incorporating gothic-inspired visons of fantasy, horror, and surrealistic excesses into an ambitious program, mixing acknowledged masters with newer talents such as Sas Christian, Amy Sol, Audrey Kawasaki, Lori Earley and many others Copro/Nason soon began to take shape. Kathie Olivas is an internationally exhibited multi-media artist from New Mexico. Through her current body of work, the Misery Children, she explores society’s insatiable desire to assign ‘cuteness’ and our discomfort with the unknown. A dark blend of early American portraiture set in post apocalyptic times, Kathie’s paintings and custom toys are a satirical look at how fear affects our sense of reality. One of the central questions raised in Kathie’s work is that of ‘what if’: what if these ‘cute’ creatures had their own agenda? Are they attune to something beyond our understanding, or are we simply too cowardly to acknowledge it? Are their misshapen limbs and plated mouths a deformation from living in a desolate wasteland,or perhaps an adaptation for protection? The Misery Children are meant to evoke a nostalgic reaction that reflects isolation, fear and an uncertainty, yet they also act as empowered alter egos. While these characters explore their new lonely worlds, they double as our narrators. They guide us through their reality as they experience it and yet, even in their company, we are granted no reassurance.