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Giclée (pronounced "zhee-clay") is a neologism for the process of making fine art prints from a digital source using ink-jet printing. The word "giclée" is derived from the French language word "le gicleur" meaning "nozzle", or more specifically "gicler" meaning "to squirt, spurt, or spray". It was coined in 1991 by Jack Duganne, a printmaker working in the field, to represent any inkjet-based digital print used as fine art. The intent of that name was to distinguish commonly known industrial "Iris proofs" from the type of fine art prints artists were producing on those same types of printers. The name was originally applied to fine art prints created on Iris printers in a process invented in the early 1990s but has since come to mean any high quality ink-jet print and is often used in galleries and print shops to denote such prints. We work with artists studios and game companies to design custom posters and collectibles for collectors and partners Bennett is an illustrator and designer who spends most of his days glued to old science fiction fantasy films and Saturday morning cartoons. This fascination with the imaginatively absurd has formed a surprisingly stable connection with the way his mind imagines the constraints of the physical form, or lack thereof.Utilizing traditional oil media on natural wooden surfaces, Bennett is heavily inspired by the sharp dualities observed in his world’s natural and cultural ecosystems. He is constantly searching to uncover the balances between the structured form we perceive logically, and the nostalgic flirtations we conjure internally.His work is partly influenced by the precise forms and soft palettes of the Baroque masters, and the bold geometric intensity of the Russian Avant-Garde and Futurism movements. This dichotomy of contrasting artistic disciplines and influences lends itself to the underlying dualities observed in his work. As the acclaimed British art critic, David Sylvester once said, “Warhol turned to photographs of stars, as the Renaissance turned to antiquities, to find images of gods”. Bennett’s work strives to bridge that divide.