Days of Cider

Giclée (pronounced "zhee-clay") is a neologism for the process of making fine art prints from a digital source using ink-jet printing. The word "giclée" is derived from the French language word "le gicleur" meaning "nozzle", or more specifically "gicler" meaning "to squirt, spurt, or spray". It was coined in 1991 by Jack Duganne, a printmaker working in the field, to represent any inkjet-based digital print used as fine art. The intent of that name was to distinguish commonly known industrial "Iris proofs" from the type of fine art prints artists were producing on those same types of printers. The name was originally applied to fine art prints created on Iris printers in a process invented in the early 1990s but has since come to mean any high quality ink-jet print and is often used in galleries and print shops to denote such prints. Andy Kehoe was born and raised in the city of steel, Pittsburgh, PA. The artist spends his days painting away in his attic in Portland, OR. He was bred on comics from an early age, finding an escape of sorts in the over stylized violence found within. Now longing for the days of his youth, the artist remembers the endless hours he spent absorbing all the storybooks and cartoons he could get his hands on, all the while doodling away on any scrap of paper available. His paintings are rich with a childlike innocence that recall a time when magic and monsters existed and all the untold mysteries of the world still seemed possible. Shortly after graduating from high school, Kehoe explored a number of different art schools before settling in to the illustration course at Parsons School of Design in NY. After dabbling in commercial illustration for a short time, Kehoe decided it was time to focus on his personal work, and he’s never looked back since. Kehoe’s work has shown the world over including such prestigious galleries as Jonathan LeVine (New York City), Nucleus Gallery (Los Angeles), Black Maria Gallery (Los Angeles), and Copro Gallery (Santa Monica, CA), as