DEPHOLA

I haven’t always liked stretching canvas and never thought I would be doing it on a regular basis but these days, it has become more of an adventure than a chore. It is the sponge that soaks up all the thoughts going on in my head. Having an overactive imagination since a very young age, it has always made sense to me that any artwork I develop should be composed of these vivid thoughts. What used to take form in crayons and pencil, evolved into pen and ink drawings, spray painted murals and computer graphics, and has further morphed into the acrylic paintings I create these days. My childhood obsessions with Disney cartoons, Lorne Greens’ New Wilderness and books such as Watership Down and The Phantom Tollbooth have become fodder for my work as it develops today. I have become increasingly interested in the rabbit holes we fall down when daydreaming. So many have created worlds in their art in which to escape and inhabit, and for others to enjoy. We have seen glimpses of them in Narnia, Wonderland, Middle Earth, Neverland, and Hanalee. As homage to these types and shadows of other lands, I have attached the all-encompassing title, Screen printing is a printing technique that uses a woven mesh to support an ink-blocking stencil. The attached stencil forms open areas of mesh that transfer ink or other printable materials which can be pressed through the mesh as a sharp-edged image onto a substrate. A roller or squeegee is moved across the screen stencil, forcing or pumping ink past the threads of the woven mesh in the open areas. Screen printing is also a stencil method of print making in which a design is imposed on a screen of silk or other fine mesh, with blank areas coated with an impermeable substance, and ink is forced through the mesh onto the printing surface. It is also known as silkscreen, seriography, and serigraph. The annual art and design convention that smashes together collectible toys and designer apparel with urban, underground and pop art is now in its fifth year.