Hope

Founded In 1991, originally as Copro/Nason Fine Arts began as an entity to curate art exhibitions at museums and local galleries and publish lithograph & silk-screen prints. The first contemporary cutting edge artists that Copro/Nason worked with were Mark Ryden, Robert Williams, Big Daddy Roth, Shag, Pizz, Von Dutch, Coop and many others. In 1999 Copro/Nason Gallery was opened In Culver City and soon transcended the limits of Lowbrow. By incorporating gothic-inspired visons of fantasy, horror, and surrealistic excesses into an ambitious program, mixing acknowledged masters with newer talents such as Sas Christian, Amy Sol, Audrey Kawasaki, Lori Earley and many others Copro/Nason soon began to take shape. Lori Earley is a contemporary surrealist figurative artist who began exhibiting her works in 2004. Born and raised in New York, Earley was an accomplished and gifted artist from a young age. As a maturing adolescent, she discovered her distinct style and fondness for painting deeply personal subject matter. She then began her journey towards becoming a professional oil painter through fine art training at the School of Visual Arts in New York City. Her innate passion for expressing mood and emotion on canvas and paper along with her mastery of technique in oil and graphite was soon recognized, in the United States and abroad. Earley was acclaimed as an exceptional new talent, praised for her authentic portraiture. Her stylized, elongated subjects echoed Mannerist elements and the dramatic lighting of the Baroque period. Her distorted realism drew attention from established artists, collectors, and galleries which immediately propelled Earley to the forefront of a burgeoning art movement. Her recognition as a leading female contemporary master painter grew internationally and moved Earley into the celebrated realm of solo exhibitions in Seattle, Los Angeles, New York City and London. Earley's stunning portraits have attracted an audience of collectors who treasure owning a rare, Giclée (pronounced "zhee-clay") is a neologism for the process of making fine art prints from a digital source using ink-jet printing. The word "giclée" is derived from the French language word "le gicleur" meaning "nozzle", or more specifically "gicler" meaning "to squirt, spurt, or spray". It was coined in 1991 by Jack Duganne, a printmaker working in the field, to represent any inkjet-based digital print used as fine art. The intent of that name was to distinguish commonly known industrial "Iris proofs" from the type of fine art prints artists were producing on those same types of printers. The name was originally applied to fine art prints created on Iris printers in a process invented in the early 1990s but has since come to mean any high quality ink-jet print and is often used in galleries and print shops to denote such prints.