Lil' Mort - Black

Coop finished high school, skipped art school, and arrived in Los Angeles in the late 80’s where he immediately got to work subverting the mainstream. Chances are good you’ve seen some manifestation of his merchandising juggernaut: smoking devils, devil-girls, hotrods, space aliens or monsters on posters, t-shirts, hats, stickers, stationery sets, skate boards, toys, shot glasses, Zippo lighters, and so much more. He’s done roughly 100 posters, including rock posters for Nirvana, Soundgarden, The Sex Pistols and many others, and album cover art for everyone from the Monomen to the Ramones. The first edition of The Devil’s Advocate, his full-color book was released to an immediate sellout in November 2001, and went immediately into continuous reprint. Coop’s second book, THE BIG FAT ONE, a 1008-page sketchbook, was released in October 2002. According to Juxtapoz Magazine, Coop’s name is “now more recognizable to modern youth than that of Rembrandt.“ He cites Robert Williams, R. Crumb and Eric Stanton as some of his favorites and great influences, in addition to Big Daddy Roth, Irving Klaw, Wally Wood, Gil Elvgren, and a host of other degenerates. Cleveland’s Rock and Roll Hall of Fame houses two of Coop’s posters in its permanent collection. He was also commissioned Munky King is a Los Angeles-based designer toy company founded in 2003 by Patrick Lam. It began as the first designer toy store in Southern California, located in Chinatown LA, and later expanded to a gallery and flagship store on Melrose Avenue. The company has been instrumental in promoting the designer toy movement through art shows, signings, releases, and special events.   Collaborating with renowned pop-surrealist artists such as Luke Chueh, Joe Ledbetter, Kozyndan, Amanda Visell, COOP, and DabsMyla, Munky King develops art toys that remain true to the original artwork. Their platform toy, the Omi, inspired by Chinese opera masks, exemplifies the fusion of traditional forms with designer toy aesthetics