Memorial of the Forgotten

Jeff Soto is an artist, illustrator and muralist who has exhibited in galleries and museums around the world. The artist’s distinct color palette, subject matter and technique resonate with a growing audience and bridge the gap between Pop Surrealism and graffiti. Inspired by youthful nostalgia, nature, graffiti, hip-hop and popular culture, his bold, representational work is simultaneously accessible and stimulating. In 2002, Soto graduated with Distinction from Art Center College of Design in Pasadena, California. In 2008, his work was the subject of an exhibition at Riverside Art Museum. Soto was born and raised in Southern California, where he currently resides with his wife and two daughters. Soto is represented by Jonathan Levine Gallery in New York City. Acrylic paint is fast drying paint containing pigment suspension in acrylic polymer emulsion. Acrylic paints can be diluted with water, but become water-resistant when dry. Depending on how much the paint is diluted (with water) or modified with acrylic gels, media, or pastes, the finished acrylic painting can resemble a watercolor or an oil painting, or have its own unique characteristics not attainable with other media. Jonathan LeVine Gallery is pleased to announce Decay and Overgrowth, a series of new works by Southern California based artist Jeff Soto, in what will be his fourth solo exhibition at the gallery. Expanding upon the themes explored previously in Lifecycle, Soto’s solo 2010 exhibition, works in Decay and Overgrowth deal with the passage of time, early man and life after death, as well as primitive myths and legends attempting to explain the unknown. Two of Soto’s grandparents passed away within the last year, prompting the artist to research how different cultures explain life and death. Attempting to celebrate their lives rather than mourn their deaths, he has been working these ideas into his paintings. A connective thread of mortality runs throughout the work, conveying themes such as the transient nature of life, brevity of the average lifetime and inevitability of death. Soto selected symbols of hope and growth to symbolize the cycle of life, death and rebirth. Organic shapes and elements such as mountains, plants, flowers, rocks and crystals are juxtaposed with manmade objects such as cell phone towers, weapons, polished gems and modern architecture. The resulting imagery combines a bit of magic, unanswered questions and a glimpse into the unknown. In the