Meteors

John Padlo fondly remembers the longing for fantastic toys, action figures and futuristic inventions that were always just out of reach. Now a fully realized artist, John’s work resurrects these vintage playthings and lost design techniques of a bygone era. With his evocative oil paintings as our guide, we recall a world of promise and imagination, unspoiled by a looming future of cheap manufacturing and brand saturation. Padlo's strongly colored oils synthesize the surreal promise of illustration with the monumental power of painting. Keen observers will note the influences the artist gained from the design, engineering and illustrative disciplines, which he distills through the aesthetic of the industrial revolution. Each composition invites the viewer to explore a secret story through the subtle interplay of light and shadow, nature and industry, past and present. Every brush stroke is a tribute to a truly free creative process, a celebration of youthful dreams realized, and an art form that is both lost and found. Giclée (pronounced "zhee-clay") is a neologism for the process of making fine art prints from a digital source using ink-jet printing. The word "giclée" is derived from the French language word "le gicleur" meaning "nozzle", or more specifically "gicler" meaning "to squirt, spurt, or spray". It was coined in 1991 by Jack Duganne, a printmaker working in the field, to represent any inkjet-based digital print used as fine art. The intent of that name was to distinguish commonly known industrial "Iris proofs" from the type of fine art prints artists were producing on those same types of printers. The name was originally applied to fine art prints created on Iris printers in a process invented in the early 1990s but has since come to mean any high quality ink-jet print and is often used in galleries and print shops to denote such prints.