Monster Cereals Print - Mike Mignola Style

Giclée (pronounced "zhee-clay") is a neologism for the process of making fine art prints from a digital source using ink-jet printing. The word "giclée" is derived from the French language word "le gicleur" meaning "nozzle", or more specifically "gicler" meaning "to squirt, spurt, or spray". It was coined in 1991 by Jack Duganne, a printmaker working in the field, to represent any inkjet-based digital print used as fine art. The intent of that name was to distinguish commonly known industrial "Iris proofs" from the type of fine art prints artists were producing on those same types of printers. The name was originally applied to fine art prints created on Iris printers in a process invented in the early 1990s but has since come to mean any high quality ink-jet print and is often used in galleries and print shops to denote such prints. Junk Fed is the creative identity of artist and nostalgist Todd S. Rogers, whose work explores the cultural imprint of childhood and pop ephemera. Based in Connecticut, Rogers channels a lifelong fascination with toys, television, and mid-century pop culture into mixed-media art, sculpture, illustration, and storytelling. Through JunkFed.com—his blog, shop, and podcast—Rogers curates a playful yet thoughtful journey through the artifacts of the 1970s and 1980s, reimagining familiar icons with humor, reverence, and subversive wit. His pieces, from bootleg toy homages to narrative assemblages, invite viewers to see nostalgia not as passive longing but as an active, creative dialogue with the past. Junk Fed’s work has been featured across digital platforms, in zines, books, and short films, continuing to resonate with fellow “pop culture zealots.” Equal parts toy art, memory excavation, and cultural remix, Rogers’ practice celebrates the joy, strangeness, and enduring power of disposable American culture.