Pompoff

Mixed media tends to refer to a work of visual art that combines various traditionally distinct visual art media. For example, a work on canvas that combines paint, ink, and collage could properly be called a "mixed media" work. When creating a painted or photographed work using mixed media it is important to choose the layers carefully and allow enough drying time between the layers to ensure the final work will have integrity. If many different media are used it is equally important to choose a sturdy foundation upon which the different layers are imposed. Many interesting effects can be achieved by using mixed media. Often, found objects are used in conjunction with traditional artist media, such as paints and graphite, to express a meaning in the everyday life. In this manner, many different elements of art become more flexible than with traditional artist media. Septenary Septenary is a group of seven sculptors, gathering on the seventh day of the seventh month, to exhibit at OhNo!Doom Gallery. Septenary is the space's second sculptural show, a follow-up to Imaginary Menagerie (the gallery’s sold out sculpture exhibit of 2011). Chris Ryniak, Amanda Louise Spayd, Lana Crooks, Jake Waldron, Melissa Sue Stanley, J.Shea and Melita “Miss Monster” Curphy. They are seven of the most exciting sculptors in the character scene today using fabric, clay, silicon, wood and wire to bring monsters, creatures and fantastic beings to life. OhNo!Doom is a Chicago artist collective made up of designers, illustrators and plush artists (who all work creative jobs during the week). The group operates an art gallery-shop in Bucktown, that showcases it’s members work as well as other artists from around the world and is home to ON!D's designer toy and clothing line. This space also does triple duty as the collective’s design studio headquarters. The OhNo!Doom Collective is: Oscar Alatorre, Max Bare, Joseph Call, Lana Crooks, Jordan Owen and Andrew Thompson. Amanda Louise Spayd’s mixed-media work combines the textures and colors of antique domestic objects, the natural world, and an obsessive attention to detail. At once endearing and unsettling, her fabric creatures evoke ideas of cast-off children’s toys and ill-conceived taxidermy experiments with repurposed human teeth. Because of their aged, antique appearance, one is left to wonder about the origin, past experiences, and past lives of these creatures. Do they look like this because they were abandoned, or because they were literally loved to pieces? The idea of an unknown past story, combined with the possibilities of their future, is a central theme of her work. Her work is highly sought after by collectors around the globe, and she has exhibited her work in galleries, boutiques, and conventions across the United States.