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Born in Philadelphia, but raised in Fresno, Luke Chueh (pronounced CHU) studied graphic design at California Polytechnic State University, San Luis Obipso where he earned a BS in Art & Design (Graphic Design concentration). He was employed by the Ernie Ball Company, working in-house as designer/illustrator where he created several award winning designs and was featured in the design annuals of Communication Arts and Print Magazine. Meanwhile, he also created, produced, wrote, designed, edited and published "E.X.P.", a 'zine dedicated to the "Intelligent Dance Music (IDM)" genre. In 2003, Chueh moved to Los Angeles to further pursue a career in design. However, a lack of employment opportunities left him resorting to painting as a way to keep busy (a hobby he picked up while attending Cal Poly). He got his start when the Los Angeles underground art show, Cannibal Flower, invited him to show at their monthly events. Since then Chueh has quickly worked his way up the ranks of the LA art scene, establishing himself as an artist not to be ignored. Employing minimal color schemes, simple animal characters, and a seemingly endless list of ill-fated situations, Chueh stylistically balances cute with brute, walking the fine line between comedy and Mixed media tends to refer to a work of visual art that combines various traditionally distinct visual art media. For example, a work on canvas that combines paint, ink, and collage could properly be called a "mixed media" work. When creating a painted or photographed work using mixed media it is important to choose the layers carefully and allow enough drying time between the layers to ensure the final work will have integrity. If many different media are used it is equally important to choose a sturdy foundation upon which the different layers are imposed. Many interesting effects can be achieved by using mixed media. Often, found objects are used in conjunction with traditional artist media, such as paints and graphite, to express a meaning in the everyday life. In this manner, many different elements of art become more flexible than with traditional artist media. Founded In 1991, originally as Copro/Nason Fine Arts began as an entity to curate art exhibitions at museums and local galleries and publish lithograph & silk-screen prints. The first contemporary cutting edge artists that Copro/Nason worked with were Mark Ryden, Robert Williams, Big Daddy Roth, Shag, Pizz, Von Dutch, Coop and many others. In 1999 Copro/Nason Gallery was opened In Culver City and soon transcended the limits of Lowbrow. By incorporating gothic-inspired visons of fantasy, horror, and surrealistic excesses into an ambitious program, mixing acknowledged masters with newer talents such as Sas Christian, Amy Sol, Audrey Kawasaki, Lori Earley and many others Copro/Nason soon began to take shape. Copro 20th anniversary - group art exhibition WHERE: Copro Gallery - Bergamot Station Arts Complex 2525 Michigan Ave , Unit T5, Santa Monica , CA 90404 Ph: 310/829-2156 E-Mail: CoproGallery@Live.com Web: www.CoproGallery.com WHAT: Copro 20th anniversary - group art exhibition WHEN: Exhibit runs; August 17 – September 7, 2013 Opening Reception: Saturday August 17, 2013 - 8:00 – 11:30 p.m. Contact: Gary Pressman, Gallery Director Copro Gallery Copro Gallery celebrates its 20th anniversary. Hatched from a friendship of Douglas Nason and Greg Escalante, that began when Doug bought a Robert Williams seriagraph from Greg that he published in 1989, Copro Nason Fine Art Publishing was formed in 1993. Publishing several serigraphs with Robert Williams, Big Daddy Roth, Sandow Birk, Russell Crotty and many other luminaries during the 1990’s and curating several group shows, Greg Escalante, Douglas Nason and occasionally Gary Pressman collaborated with many artists during the beginnings of the Lowbrow / Pop Surreal movement. Greg Escalante's art juggernaut led him to co-found Juxtapoz Magazine as well as sit on the board of several local art museums during this time and working with Doug Nason curated many important museum exhibitions as well as gallery shows. Copro/Nason didn’t have a permanent venue until December1999 when Copro/Nason