Red Oliver

Stranger Factory is the newest branch of the Circus Posterus family tree, a unique highly visible gallery located in Nob Hill just off the historically famous Route 66 (Central Ave) in the heart of Albuquerque, New Mexico and is dedicated to bringing a new style of art to the area. With their worldwide network of talent, Stranger Factory will bring many incredible names in the post modern, pop surrealist and “lowbrow” art community for the very first time as well as offering aspiring art collectors the opportunity to begin their collections with original works and editioned releases at reasonable and retail-friendly prices. Stranger Factory is the official flagship retail outlet for all Circus Posterus goods including original artwork, limited edition prints and books, sculptural editions and apparel as well as other gifts, novelties, designer toys, and curious objects of beauty and wonder! Known For His Ability to fly over amazing post-apocalyptic lands Oliver, the amazing beats child Will Always survive any traumatic world threatening scenario. A harbinger of potential earth shattering terror, you only need to put on your hat fear mongering Appears When his shadow above you. Fear Not His carnivorous scavengers. His trusty sidekicks only feed on the dead, Preferring the eyes and lips, drank Will nosh on fingers and toes When the need to fly long distances Arises. Kathie Olivas is an internationally exhibited multi-media artist from New Mexico. Through her current body of work, the Misery Children, she explores society’s insatiable desire to assign ‘cuteness’ and our discomfort with the unknown. A dark blend of early American portraiture set in post apocalyptic times, Kathie’s paintings and custom toys are a satirical look at how fear affects our sense of reality. One of the central questions raised in Kathie’s work is that of ‘what if’: what if these ‘cute’ creatures had their own agenda? Are they attune to something beyond our understanding, or are we simply too cowardly to acknowledge it? Are their misshapen limbs and plated mouths a deformation from living in a desolate wasteland,or perhaps an adaptation for protection? The Misery Children are meant to evoke a nostalgic reaction that reflects isolation, fear and an uncertainty, yet they also act as empowered alter egos. While these characters explore their new lonely worlds, they double as our narrators. They guide us through their reality as they experience it and yet, even in their company, we are granted no reassurance.