Sneak Peak

Martin Whatson (b. 1984) is a Norwegian born and based stencil artist. While studying Art and Graphic design at Westerdals School of Communication, Oslo, he discovered stencils and the urban art scene. He had been interested in Graffiti for years, following the development within street art closely. In 2004 he started his own artistic production. Martin has a continuous urge to search for beauty in what is commonly dismissed as ugly, out of style or simply left behind. He looks for inspirations in city landscapes and old soon to be demolished buildings. This interest for decay has helped develop his style, motives and composition and he enjoys creating either unity or conflict between materials and motives; a wrinkled old lady on a shiny plate of aluminum. His artistic expression started off more political, inspired by DOLK and Banksy, but has developed into a more subtle expression. His stencils are a mix of urban scenes with a poetic, hippyish make peace not war-message. He has a cheerful, very much recognizable and almost feminine touch; butterflies, doves and hearts in soft, nonetheless vibrant, colours. Still, his expression is very much masculine, filled with in your face-statements that represents a young and vigorous group Giclée (pronounced "zhee-clay") is a neologism for the process of making fine art prints from a digital source using ink-jet printing. The word "giclée" is derived from the French language word "le gicleur" meaning "nozzle", or more specifically "gicler" meaning "to squirt, spurt, or spray". It was coined in 1991 by Jack Duganne, a printmaker working in the field, to represent any inkjet-based digital print used as fine art. The intent of that name was to distinguish commonly known industrial "Iris proofs" from the type of fine art prints artists were producing on those same types of printers. The name was originally applied to fine art prints created on Iris printers in a process invented in the early 1990s but has since come to mean any high quality ink-jet print and is often used in galleries and print shops to denote such prints.