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A classic Playsam design, the Streamliner Classic Car has been selected as Swedish Design Classic by the Swedish National Museum for its inventive style and sleek surface. It's no wonder that this wooden car has also been a long-standing favorite for children both big and small! Founded in 2001 as a magazine devoted to the obsessive-compulsive world of Japanese toy collecting, Super7 embarked on a mission to become the premiere outlet for information and reference for the obscure oddities of the toy universe. The success of the magazine immediately led to Super7 collaborating with Japanese toy manufacturers to create exclusive toys and various special editions, evolving over time to Super7 designing and manufacturing its own collectible toys. Super7’s philosophy is to make products— toys, books, magazines, t-shirts, and even their own retail store in San Francisco— that its collector founders would want, resulting in Super7’s products being recognized by fans as original, unique, and most of all, genuine. After moving to NYC in September of 1994, my professional career took a giant leap forward when I had a chance of a lifetime opportunity to join the then burgeoning Blue Sky Studios. Over the next 7 years I honed my skills as a character animator working on spots for Target, Pepsi, M&M’s, Mott’s, and Braun, as well as the feature films Joe’s Apartment, Alien Resurrection, and Ice Age. One of the true highlights during my tenure was animating on the 1998 Academy Award Winner for Best Animated Short Film, Bunny. In 2002, I was asked to join Hornet Inc. as their Animation Director. For the next 2 years, the launch of my role as director found me working on ground-breaking character spots for BMW (“Angels” Ad Critic’s ‘Spot of the Day’ November 2003), Quaker Oats ("The Three Bears", 2004 Annie Award Nominee for Best Animated Commercial and "Red Riding Hood") and Reese’s. Following a short stint at freelancing during the beginning of 2005 at local shops which included Charlex, Psyop, Framestore NY and Nickelodeon, I was then approached to head up the newly formed 3d department at Guava, where I served as their Director of Animation for three years. My most recent