The Elil And Fu Inle

I haven’t always liked stretching canvas and never thought I would be doing it on a regular basis but these days, it has become more of an adventure than a chore. It is the sponge that soaks up all the thoughts going on in my head. Having an overactive imagination since a very young age, it has always made sense to me that any artwork I develop should be composed of these vivid thoughts. What used to take form in crayons and pencil, evolved into pen and ink drawings, spray painted murals and computer graphics, and has further morphed into the acrylic paintings I create these days. My childhood obsessions with Disney cartoons, Lorne Greens’ New Wilderness and books such as Watership Down and The Phantom Tollbooth have become fodder for my work as it develops today. I have become increasingly interested in the rabbit holes we fall down when daydreaming. So many have created worlds in their art in which to escape and inhabit, and for others to enjoy. We have seen glimpses of them in Narnia, Wonderland, Middle Earth, Neverland, and Hanalee. As homage to these types and shadows of other lands, I have attached the all-encompassing title, Giclée (pronounced "zhee-clay") is a neologism for the process of making fine art prints from a digital source using ink-jet printing. The word "giclée" is derived from the French language word "le gicleur" meaning "nozzle", or more specifically "gicler" meaning "to squirt, spurt, or spray". It was coined in 1991 by Jack Duganne, a printmaker working in the field, to represent any inkjet-based digital print used as fine art. The intent of that name was to distinguish commonly known industrial "Iris proofs" from the type of fine art prints artists were producing on those same types of printers. The name was originally applied to fine art prints created on Iris printers in a process invented in the early 1990s but has since come to mean any high quality ink-jet print and is often used in galleries and print shops to denote such prints. Hours: Wed - Sun: 11 AM - 6 PM Mon & Tues: Closed Who or what is INLE? In 1974, Richard Adam's wrote the beloved classic "Watership Down". It is a tale about overcoming the obstacles of life that try to beat you into submission and coming out on top, told through the unlikely embodiment of rabbits. Upon reading the book at a young age, one particular thread stood out to me. The story of "The Black Rabbit of Inle". It was on page 280 of this book that my Grandfather had gotten for me on a road trip that the story of Inle´ unfolds. The fear he induced in the rabbits who told tales of him is not much unlike our own fears of death and what is unknown. I always questioned was their fear based upon him or the inevitability of their own demise, and was it something to fear or welcome after a long life lived? With this book began my over 24 year obsession with using rabbits as a tool in my art. Upon relating my memories of this book with some artist friends of mine, I wasn't surprised to find they had similar attachments to the story and subsequent movie and that it too was a huge influence on