Trinity

Self taught artist and habitual doodler, Craww plies his trade from the fair city of Sheffield, drawing inspiration from daydreams, music, comics, nature, gin and an overactive imagination. Often starting in one place and ending up in another, his work poses questions but seldom answers them. It’s direction influenced as much by accident and a short attention span as design, Craww enjoys seeing his creations taking on a life of their own as he paints. Craww likes ambiguity and his work explores his fascination with things that aren’t quite what they seem. Pretty things in dark places, nasty suprises masquerading in beauty, hidden stories and happy accidents, brought to life with a mix of elegance, balance and disciplined chaos. His work is a story without an end - a stream of consciousness ramblethrough the woods, populated with skulls, crows and melancholic girlswith big hands. Giclée (pronounced "zhee-clay") is a neologism for the process of making fine art prints from a digital source using ink-jet printing. The word "giclée" is derived from the French language word "le gicleur" meaning "nozzle", or more specifically "gicler" meaning "to squirt, spurt, or spray". It was coined in 1991 by Jack Duganne, a printmaker working in the field, to represent any inkjet-based digital print used as fine art. The intent of that name was to distinguish commonly known industrial "Iris proofs" from the type of fine art prints artists were producing on those same types of printers. The name was originally applied to fine art prints created on Iris printers in a process invented in the early 1990s but has since come to mean any high quality ink-jet print and is often used in galleries and print shops to denote such prints.