Bob

Frank Kozik was born in Madrid, Spain in 1962 . At the age of 14 he moved to the United States and settled in Austin, Texas. Credited with single handedly reviving the “lost” art of the concert poster, his creative career rose largely out of his enthusiasm for Austin’s growing underground punk rock scene in the mid-eighties. Starting with black and white flyers for friends’ bands posted on telephone poles, his reputation grew as an artist whose work was graphically compelling as well as culturally gripping. Kozik is based in San Francisco, California, where he produces artwork, toys and graphic design. He formerly managed his own record label, Man’s Ruin Records (1995-2001). Under which, he released over 220 singles and full length albums including the first Queens of the Stone Age single. He has produced artwork for a diverse range of musicians such as Pearl Jam, the Butthole Surfers, Green Day, Neil Young, Sonic Youth, the Melvins and many more. In 1996, he directed Soundgarden’s “Pretty Noose” music video. In 2001 Kozik left the music business and devoted himself full time to fine art and the newly emerging Vinyl Art Toy movement. Since 2001 he has designed over 300 separate toys and art Founded In 1991, originally as Copro/Nason Fine Arts began as an entity to curate art exhibitions at museums and local galleries and publish lithograph & silk-screen prints. The first contemporary cutting edge artists that Copro/Nason worked with were Mark Ryden, Robert Williams, Big Daddy Roth, Shag, Pizz, Von Dutch, Coop and many others. In 1999 Copro/Nason Gallery was opened In Culver City and soon transcended the limits of Lowbrow. By incorporating gothic-inspired visons of fantasy, horror, and surrealistic excesses into an ambitious program, mixing acknowledged masters with newer talents such as Sas Christian, Amy Sol, Audrey Kawasaki, Lori Earley and many others Copro/Nason soon began to take shape. Giclée (pronounced "zhee-clay") is a neologism for the process of making fine art prints from a digital source using ink-jet printing. The word "giclée" is derived from the French language word "le gicleur" meaning "nozzle", or more specifically "gicler" meaning "to squirt, spurt, or spray". It was coined in 1991 by Jack Duganne, a printmaker working in the field, to represent any inkjet-based digital print used as fine art. The intent of that name was to distinguish commonly known industrial "Iris proofs" from the type of fine art prints artists were producing on those same types of printers. The name was originally applied to fine art prints created on Iris printers in a process invented in the early 1990s but has since come to mean any high quality ink-jet print and is often used in galleries and print shops to denote such prints.